Lamont talks about punching a time clock as a staff songwriter at Motown; what happened when Marvin Gaye forgot to learn "How Sweet It Is (To Be Loved By You)" before the recording session; why Diana Ross was pissed off when she cut the vocals for "Where Did Our Love Go;" which of Lamont's classics came about as a result of getting caught in a compromising situation at a no-tell motel; the muse who inspired "Bernadette" and "I Hear a Symphony;" and a whole lot more!
SUPER-SIZED DELUXE DOUBLE EPISODE DETAILS: PART ONE Scott and Paul celebrate their 100th episode by looking back on the origins of Songcraft and answering Rolling Stone's list of the 100 Greatest Songwriters of All Time by counting down their own list of the 100 OTHER Greatest Songwriters of All Time. PART TWO - 19:37 mark The guys revisit their love of Pearl Snap Studios in Nashville. PART THREE - 21:44 Scott and Paul chat about the search to find a writer for the 100th episode who's written at least 100 Top 10 hits on the Billboard charts. Plus, find out how to enter to win a signed copy of Lamont Dozier's new CD, Reimagination. PART FOUR - 26:26 Scott and Paul catch up with Lamont and proceed to be blown away by his amazing stories of punching a time clock as a staff songwriter at Motown; an inside look at the company's weekly "quality control" meetings; the secret behind the unusual percussion on "Nowhere to Run;" what happened when Marvin Gaye forgot to learn "How Sweet It Is (To Be Loved By You)" before the recording session; why Diana Ross was pissed off when she cut the vocals for "Where Did Our Love Go;" which of Lamont's classics came about as a result of getting caught in a compromising situation at a no-tell motel; the time one of his Four Tops hits knocked one of his Supremes hits out of the #1 spot on the pop chart; the muse who inspired "Bernadette" and "I Hear a Symphony;" and what skills he believes are necessary for a long career as a songwriter. ABOUT LAMONT DOZIER Lamont Dozier, along with brothers Eddie and Brian Holland, wrote and produced more than 20 consecutive singles recorded by the Supremes, including ten #1 pop hits: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” “Back in My Arms Again,” “I Hear a Symphony,” “You Can’t Hurry Love,” “You Keep Me Hangin’ On,” “Love is Here and Now You’re Gone,” and “The Happening.” Other Top 5 singles they wrote for the Supremes include “My World is Empty Without You” and “Reflections.” In addition to their hits with the Supremes, Holland, Dozier, and Holland helped further define the Motown sound by writing major pop and R&B hits such as “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack” for Martha and the Vandellas, “Mickey’s Monkey” for the Miracles, “Can I Get a Witness” and “You’re a Wonderful One” for Marvin Gaye, and “(I’m A) Road Runner” for Junior Walker and the All Stars. The trio found particular success with The Four Tops, who scored hits with their songs “Baby I Need Your Loving,” “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” and “Bernadette.” Additional hits include “Crumbs Off the Table” for Glass House, “Give Me Just a Little More Time” for Chairmen of the Board, “Band of Gold” for Freda Payne, and Dozier’s own recording of “Why Can’t We Be Lovers.” Hit cover versions of his songs by rock artists include “Don’t Do It” by the Band, “Take Me in Your Arms (Rock Me a Little While)” by the Doobie Brothers, “How Sweet It Is (To Be Loved By You)” by James Taylor, and “This Old Heart of Mine” by Rod Stewart. With hits spanning multiple decades, Dozier also co-wrote “Two Hearts” with Phil Collins, earning a #1 pop hit, a Grammy award, a Golden Globe, and an Oscar nomination. Dozier is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. He is the recipient of the prestigious Johnny Mercer Award for songwriting, as well as the BMI Icon award. Lamont Dozier was additionally named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time.